Colette Pastille: WTF

When last we spoke about my Pastille dress, I was doing a mommy-tummy adjustment on the skirt.  The plan was that if that went okay, I would then make one final muslin of the bodice that incorporated all of the changes, sew them together and make one last check for fit.

I made this skirt and tried it without the bodice:

The old, stand-on-a-stool-so-you-can-see-your-skirt-in-the-
bathroom-mirror trick.  I really need a full-length mirror
in the living room where my sewing machine lives.

As you can see, it looks pretty good.  The side seam looks straight although it might be a tiny bit forward right at the waist.

So, I attached bodice muslin 3 to it to see how it looked:

Please excuse whatever was on the bathroom mirror.
Toothpaste maybe?  I dunno, I live with a 3 year old, it
could be anything.

Also not bad.  Actually, pretty good!

At this point, I got really excited and made up the bodice in the same red fabric as the skirt and sewed them together.

Disaster.

First, I thought I would use bias tape for the neckline instead of a facing because facings annoy me and that was a hot mess that I won't be repeating.  But, I figured it was fine, because I didn't really care about this fabric so I could throw it all away if I wanted.  But then, I looked in the mirror and I got so disgusted, I couldn't even take a picture.  The bodice felt funny.  Maybe from the mess at the neckline?  I dunno.  Worse there were diagonal pull lines in the front skirt.  Ugh!

I tried it on again today and this time I took pictures in order to share the horror:

Ignore my hair, I hadn't gotten ready for the day, yet.

I spent a lot of time trying to stand in the mirror in a way
that most obscures the mess on the floor behind me.

It looked like maybe the bodice was pulling the skirt up in the front so I let out the bodice seam in the front.  I overcast the seam allowances together so it's essentially got a 1/4" seam at the waistline:

Better, but I don't get why the bodice is suddenly too short.  I need to take it apart and compare it to the previous bodice muslin and the pattern piece.  At any rate, it looks like I need to add half and inch to the front bodice and front skirt.

There's still some pooling and wrinkling of fabric in the upper back of the bodice while the lower back is now looking a bit too tight (maybe?).  I need to pinch out the excess at the top and maybe fix the swayback adjustment, I think.

Whatever it needs, it's going into time-out for awhile to think about what it's done while I work on the Outfit Along (Bad, bad, bad Pastille!  Mommy is not happy with you!).  I'll pull it out once I've finished the dress for the Outfit Along (so, the end of July?).

Colette Pastille: Skirt muslin #2

So, when last we saw the Pastille muslin, I had finished bodice #3 and I was feeling pretty good about it having cut a smaller size in the waist and completed an FBA and a swayback adjustment.  The next step was to make a second muslin of the skirt.*  For this iteration, I had cut a smaller size and done a swayback adjustment.

Bathroom photos are the worst

What you can't really see is that it's still too baggy at the side seams in between the waist and hips.

Please ignore the potty chair in the background

 On the other hand, I have a textbook case of "prominent abdomen"**.

Here, I've taken in the sides of the skirt going from the waist to the hip and let it out a bit at my upper thighs.  That has helped with the prominent abdomen but it's still not quite right.

Next step is to try the pot-belly alteration for pencil skirts by Maria Denmark found on the By Hand London blog here.  Right after I took this picture, I drew a line just under my post-baby belly that curved up to the hipline, like on the tutorial.  Then, I cut along that line, let the fabric fall in front and pinned Swedish tracing paper to the skirt across the gap so that I could preserve the size of the gap when I took the skirt off.

Cutting line

Now, I need to transfer that slash and spread to the paper pattern, along with the seamline adjustments and cut a new muslin for the skirt.  Onward to skirt muslin #3!

*The first bodice muslin was so awful that I didn't bother making the skirt at the time, I just went straight to making a second bodice muslin.

**Or as I like to call it, post-baby belly.

Colette Pastille: Bodice Muslin #3

Crappy bathroom mirror photo at 12am
Not my best look

My 2nd Pastille bodice muslin was baggy at the waist and just a little too tight in the bust.  For this muslin, I went a size smaller for the waist and did a very small FBA.  This was very successful and I now feel the front of the bodice looks and feels like a sheath dress.  I probably could have added another 1/8" to the FBA to give me a tiny bit more ease in the bust.  Because it's so hard to find ready to wear fitted tops that actually do fit me right, I mostly wear knit fabrics.  So, I am not used to the feel of a fitted garment with no "give" to the fabric and as a result, the bust feels a little bit tight.  There is no pulling of the fabric across the bust, so the fit looks very good and I don't think I'm going to change it.

Another crappy bathroom photo.  I can see some wrinkling
here, but I think that might go away with the weight of the skirt.

After sewing the muslin and trying it on, I saw the back bodice dipped way down past my waist in the middle but not the sides.  So, I unpicked the zipper and did a swayback adjustment, removing about an inch from the middle tapering to nothing at the sides.  Yes, I do baste my zipper into my muslin.  Since I'm fitting the garment on myself, it is the only way to close the back properly so that I can check the fit.  I read a tip once that said to put the opening in the front of your garment for your muslin because that makes it easier to fit things on yourself without sewing in zippers.  I can see how that would help with the back, but what if you need to make adjustments to the front?  Won't having an opening there screw with how the front fits?  Anyway, I'm finding that basting an invisible zipper into the bodice takes almost no time at all, now that I've done it several times in a row.  Funny how that works.

I took some photos in the mirror so that I could try to see how it all looks, especially the back which is difficult to see otherwise.  I do see some wrinkling, but that goes away if I pull down on the bodice,  leading me to think that the weight of the skirt may take care of that once the skirt is attached. So, I'm moving on to skirt muslin #2 before trying to make any more changes to the bodice.  I'm also worried I may end up overfitting the bodice and since it feels pretty good when I have it on, I'm not sure I want to make any more changes!

Colete Pastille Muslin #2: So Much Better

I'm really glad I decided to cut a second muslin than attempt to fix my first sad muslin.  I did my measurements, made my changes to the paper pattern, cut and sewed the bodice and lo and behold and possibly verily, the fit was so much better it was hard to believe it was the same pattern!

Emboldened, I embarked on the skirt portion where I immediately ran into trouble.  Even armed with measurements, it was difficult to decide which size to cut.  I think this was partially a function of inexperience and not knowing how much ease I actually want in a garment.  But, I do think the pattern drafting is not totally blameless.  The ease in the pattern is 1.5 inches for the bust, 1 inch for the waist, and a bewildering 5 inches for the hip.  However, this is supposed to be a fitted sheath dress and in the book, Sarai says that "for a very close fitting garment, this might be 2" in the bust, 1/2" in the waist and 2" at the hips" (1).  And, looking at the picture of the model, I would guess that's about how much ease there is in the version of the dress she is wearing.

For myself, I compared my measurements with the finished garment measurements and then made sure I had the amount of ease the pattern called for.  As a result, I have an enormous skirt which I have taken in on the sides a lot.  A lot, a lot.  The middle back of the skirt was a hot mess until I did a swayback adjustment which made things somewhat better.  I'm tempted to keep messing with the skirt part of the muslin, but knowing how much better everything became for the bodice just from cutting a smaller size, I think I will recut the skirt in a smaller size and see how that looks before trying to make more changes.

The bodice still isn't perfect.  While the smaller size is definitely better, it's a little too tight in the bust (but not elsewhere), so I think I will need to do a very small full bust adjustment to get the fit right there.  I also still need to shave a little off of the side seams at the waist.  Finally, attaching the skirt made the back middle of the bodice droop (but not the sides) leading me to think I may need to do a swayback adjustment, but I might wait on that until I try a smaller size skirt to see if that makes a difference in the amount of length I want to remove in the swayback adjustment.

(1) Colette Sewing Handbook, p. 64

Colette Pastille First Muslin

Mmmm....pastilles.
[source]

Now that we are in spring, I have been feeling more inclined to sew.  Fall and winter are for knitting, spring and summer are for sewing.  I made a denim Miette (from Tilly and the Buttons; more on that later) and now I am working on the Pastille dress from the Colette Sewing Handbook*.  I just finished my first muslin and it is the epitome of why you should start with a muslin:  it looks terrible.  Baggy, the waistline is wrong, I may have cut out the wrong size bodice and the hips look funky.  It is so fugly, I was tempted to abandon the idea of making the Pastille altogether.  Half an hour later, though, I remembered why I started sewing this dress in the first place, even though I really have little need for a sheath dress:  I need to practice sewing.

I'm a firm believer in developing new skills and common sense says that the only way to get any better at them is to practice.  With every other skill I've cultivated, I have understood that I will need to practice before I will be any good at it, but with sewing, however, common sense seems to fly out the window.  I want to be good at it right now and if I'm not, I don't want to do it.  I've been trying to figure out why I'm so resistant to the idea that I will need to make an unspecified and probably rather large number of terrible garments before I will be able to make lovely ones and I think I've come up with a couple of reasons.

1.  Fabric isn't cheap and making a garment that goes straight into the trash feels like throwing away money.  I know some people obtain cheap fabric by buying old sheets or fabric at flea markets, yard sales, and second hand stores and all I can think is:  those people must have more time than I do.  I have yet to find old sheets at the goodwill near me, much less fabric yardage and so would need to visit several of these stores many times in order to get the cheap fabric and frankly, it's hard enough for me to find time to do laundry frequently enough to keep my family of three people in clean clothes.

2.  The only way to know if I have been successful in my sewing is to try the garment on.  This involves a whole lot of time looking at myself wearing something awful.  It's like going jeans shopping with the added downer that it is my fault the garment doesn't fit.  A dress form would likely help, but I can't afford one at the moment and I live in a very small apartment.  I think I might have to throw out the vacuum cleaner in order to have space in the closet for a dress form and since we have wall-to-wall carpeting and a toddler, that would not be a good idea.  Leaving a dress form out all the time is not an option, even if I could find a spot where we weren't tripping over it (see also:  destructive habits of a three year old).

The awkward moment when a friend's mom says make yourself at home so you pee on their couch
— Honest Toddler (@HonestToddler) March 23, 2015

If only I had a set of disembodied
hands to help me with fitting.

So, the only way to get better at sewing is to spend money and put on clothes that make me look like I'm wearing a sack.  Oh, and become a contortionist in order to do things like "pinch out fullness" on my muslin while I'm wearing it (I'm looking at you, swayback adjustment).  Recently, I've decided that I'm just going to have to suck it up, swallow my pride, and just make a bunch of ugly, ill-fitting garments so that I can one day make beautiful, well-fitting clothes that I love.  To that end, I decided to start working my way through the patterns I already own using the fabric I already own.  I'm fairly good at making an A-line skirt and a Renfrew-style t-shirt, so now it's time to work on woven dresses and tops.  Once I feel pretty confident about those, I might even start working on making that most dreaded of all garments, the Waterloo of home sewists everywhere:  pants.**

Before tracing the pattern for the Pastille dress, I took my measurements, added a little ease, and compared the end result to the finished measurements of the dress and chose what size(s) to trace.  Based on measurements, it seemed like I needed one size for the upper body and then grade out to a larger size for the waist.  Trying on the muslin, my waist looks rather baggy and sad, so clearly I added too much to the waist.  Also, the front waistline of the bodice was about an inch above my actual natural waist and the back waistline appeared to be nearly two inches below my natural waist.  After doing some Google searches on the Pastille dress, I found that many people have also had too much length in the back of their muslin and one or two have also had the front of the bodice be too short at the same time.

So, my current plan is to throw out my first muslin and start the second one by first tracing a smaller size bodice.  Then, I'm going to actually measure my torso from my shoulder to my waistline going through my bust apex and measure paper pattern at the same point (something I should have done in the beginning) and add length to the bodice front pattern piece.  For the back, I'm going to attempt to get my husband to measure my back length.*** Then, I'll again measure the paper pattern piece and shorten it accordingly.  For now, I'm not going to mess with the skirt, just fit the bodice. Once I have a nice fitting bodice, I'll work on the skirt which I anticipate will need a swayback adjustment.

Onward!

*Funny story:  my copy is signed twice!  I bought it from the Colette website so it came to me signed and then I got a chance to meet Sarai at a book signing/meetup in Oakland and she signed it for me in person

**And by pants I mean trousers, not underwear, although I've got a bunch of old t-shirts sitting in a pile, waiting for me to make underwear out of them

**As a scientist, you would think something as simple as taking a tape measure and determining the length of an object would be relatively easy for him, but as soon as you make that object a living thing, he gets confused (to be fair, he's a physicist, not a biologist, so living things confuse him--think of him as a cross between Sheldon and Leonard from Big Bang Theory).

Gingerly

This is the Colette Ginger which is an A-line skirt with a waistband and a back zip.  It's a pretty straightforward pattern, but I made a muslin anyway to check fit.  I'm glad I did because the waistband gaped at the top.  After pinching out the excess, I realized that what I needed was a contoured waistband.

Fig. 1:  My natural waist is ridiculously high

The Ginger waistband is similar to other waistbands that I've encountered in that it is pretty much rectangular when you sew the pieces together.  I think the idea is that since it's supposed to sit at your "natural waist" (that is, the narrowest point of your lower torso) the waistband doesn't need to be much wider on the bottom than on the top.  However, my natural waist is really high--maybe a couple of inches below my bust--so I never wear skirts and pants at my natural waist. 


So, I tend to wear my pants, skirts, etc. lower than my natural waist, but that area has a lot of curvature, so a mostly rectangular waistband is not going to fit me right.  However, if you take in the waistband at the seams quite a bit, but only at the top of the waistband, you end up with a really strange looking, trapezoidal pattern piece.  If you cut your waistband with those pieces and sew them together, you get what sort of look like mitered corners at the side seams (ask me how I know).  Enter the contour, or curved, waistband. 

Fig. 2  Rectangular vs.
Contour Waistband

Of course, the Ginger skirt doesn't come with a contour waistband, so I would need to draft the pattern pieces myself.  This was a little daunting considering I hadn't ever done it before, but since I was working with a muslin I figured I didn't have anything to lose.  I searched for a tutorial for drafting a, but only found written descriptions of what to do in a reply to a post on Pattern Review (and another method here).  I was surprised by the lack of information on this subject--I can't be the only woman with this sort of problem.  In any case, I was able to successfully draft pattern pieces for both the front and back waistband, and make a Ginger skirt in my fashion fabric (turquoise linen) which I love!  I've already worn it a couple of times, but haven't managed to get pictures yet.  Perhaps I should work on that tomorrow. 

No waistband

I'm not sure what is going on, but every time I try to add a waistband to Meringue, it throws off the fit.  So, I'm doing away with the waistband.  I really would like to have this skirt done by tonight and I'm starting to realize that part of my problem with sewing right now is perfectionism.  I could fuss with this skirt for eternity and never achieve perfection.  And therefore, never have a skirt.  Well, basta!  Enough!  I'm going to sew this skirt sans waistband and I will love it and wear it to death!

A change of plans

Previously, on e-beth knits:

In trying on the Meringue muslin:  the skirt had no ease, the waistband gaped, and there was fabric pooling above my butt.

The next day, I decided to try the muslin on again--this time with a pair of Assets on board and without the waistband.  I also tried the advice of Palmer-Pletsch and let out the front darts over my "full tummy" (or as I like to call it, "that part of my body that has not been the same since pregnancy").  At that point, it seemed like I had a ridiculous amount of extra fabric at the side seams.  So, I pinned it in at the sides, and compared it to the pattern.  Now it appeared I should cut a 12 at the waist, expanding to a 14 by the hips (I originally cut an 18).  I modified my paper pattern accordingly, took out the side seams of my muslin, drew the new seamline, and tried it on again.

It looked awesome (well, as awesome as a muslin can look)!  I'm not sure how to explain how I went from needing to add extra room to a size 18 muslin to taking in that same muslin several sizes.  I mean, I know letting out the darts and wearing shapewear helped, I just don't see how it could have helped that much.

I still think I want a waistband and I drafted one last night but then didn't have time to cut it out and try it on the muslin.  I'll do that tonight and then (fingers crossed!) I'll cut the fashion fabric as well.  I'm not sure I'll have much time on Sat. to sew which means I'll need to get as much as possible done tonight.  I can see myself wearing jeans and hemming my skirt at the Bay Area Sewists Meetup that's before the launch party, then putting on the skirt right before the launch.  :)  I don't think there's any way I'll get the lining put in by tomorrow afternoon, either, but I can add that afterward.

Wish me luck!

Meringue (hold the lemon)

This weekend, the Colette trunk show is coming to a local fiber store, A Verb for Keeping Warm (Verb carries yarn, fiber for spinning, knitting, spinning, and weaving supplies, and fabric).  As soon as the date was announced, I knew that I wanted to make a garment from a Colette pattern to wear to the show/party, so I decided to make the first project in The Colette Sewing Handbook, Meringue.

Meringue is a scalloped hemmed, slightly A-line skirt.  There are two skirt pieces--the front and back--plus the facings, and a side invisible zip.  I am adding a waistband to the pattern because I think that will be more flattering for my figure type.  I am also lining the skirt so that I don't need to wear a slip.  The fashion fabric is a navy blue cotton stretch sateen from Joanns and the lining is a fuschia poly lining material.  I've decided that I will hem the lining to where the scallop-hem facings end because I don't want to deal with a scallop-hemmed lining.

I tried to do a tissue fitting Monday night and gave up in frustration, which was what prompted me to write the Tissue Fitting is Dead to Me post.  Next, I cut out the front and back in cheap broadcloth, sewed the darts and seamed the sides together.  Then, I needed to think about the waistband.  Colette has a tutorial for making a waistband for Meringue which involves slashing the pattern near the top, adding seam allowances to both pieces and then sewing the top piece as the waistband.  I like this idea, but I decided that I wanted the skirt to sit higher on my waist and I didn't want to show more leg.  So, I decided to try Gertie's method of making a waistband (tutorial here, but I used the method from her new book which is slightly different).  In her book, Gertie says that the waistband pattern can be used with any skirt type, so I thought it would work for my skirt.  I sewed the waistband and attached it to my skirt and tried on the skirt.

Several issues showed up right away:

• The skirt had no ease.  I wanted it to be fairly fitted but this was a little over the top.  To add ease to the skirt, I think I'm going to make my seam allowances 3/8 inch instead of 5/8 inch.  That adds 1/2 inch to the body of each side of the skirt resulting in 1 inch of ease over all.  I think this will be plenty because the fabric has some stretch to it.
• The waistband gaped.  This is likely due to my swayback.  I think this problem may be solved by using a curved waistband.  Therefore, I'm going to draft a waistband by closing the darts and tracing the top of each pattern piece, adding two inches in height, adding 5/8 seam allowance to all sides, and adding one inch in length to the front waistband piece so that I can make a tab.
• Fabric pooling just above my butt.  This is also a swayback issue, I think, and will hopefully be solved by taking a wedge shaped tuck near my waist in the back.

So, I'm going to try drafting the waistband and trying it on my muslin.  I'll also take the tuck out of my muslin and transfer it to the paper pattern.  If all goes well, I should be able to start cutting my fashion fabric soon.  Cross your fingers for me, because the weekend is fast approaching!

Tissue Fitting: Not a fan

So, for Christmas last year, I received the Palmer-Pletsch book, Fit for Real People.  Since then, I have been trying to follow their advice as much as possible, and their method is based almost entirely on tissue fitting.  They claim that if you do a good tissue fit, then you don't need a muslin.

Well, frankly, tissue fitting is just not working for me.  I had my doubts about it to start with, really.  I mean, generally speaking, tissue is not going to act the same as fabric.  I've been tracing my patterns onto Swedish tracing paper (the idea being that I could actually baste it together at the end and sort of have a muslin), but I think this is actually making things worse not better.  The Swedish tracing paper is pretty stiff and, as I'm not making everything in taffeta, doesn't give me anything near an accurate representation of how the garment will actually lay once I make it in fabric.  Tissue paper is a little better, but I don't like working with it because it's too delicate and prone to ripping.  This is why P-P recommends stabilizing certain areas.

Well, I've come to realize that, by the time I trace off the pattern, mark the seam allowances, put tape everywhere I'm supposed to put tape, then snip to the seam allowance in the armholes and tape the thing together and try it on, well, I could have cut out a muslin, basted it together, and seen how things actually look in fabric.  So, that's what I'm going to do from now on.  I will buy fabric that I don't necessarily like but is being offered at rock bottom prices and use it for muslins.  Thrifted sheets seem to be a popular source of muslin fabric, so I'll stop by goodwill and see what I can find.  In the meantime, I have some cotton broadcloth I got on sale at Joanns that I'll use, and I do have actual muslin fabric that I can use, too.

Knitting News
I'm almost done with Cate's sweater.  I have the major pieces knitted.  Now, I need to sew the sleeves into the armholes and knit the collar.  I've been needing to do that for a week, but I haven't found time to sit and carefully attach the sleeves (sewing seams is not my strong point). 

Maternity Sorbetto Muslin Fitting

So, aided by my trusty helper (I can trust that he will always stop whatever he is doing and come lay on my sewing) I cut the modified Sorbetto pattern pieces out of muslin and machine basted them together. I didn't bother putting the binding on the armholes or neckline because they're not necessary for fit and that's all I'm looking at right now. I didn't hem it either, just sewed a basting stitch where the hem would fall after being sewn so I would have some idea where that would be. I did sew the pleat down to just past the bust, pressed it, and basted it at the top to sort of anchor it down.

So, the first issue materialized as I was sewing the side seams.



Evidently, despite my efforts to curve the hemline back to the tip of the original side seamline, the back is still shorter than the front. So, I'll adding length to the back for sure.

Then, I tried the muslin on.



It looks surprisingly good, given all of my adjustments and the fact that I'm a novice at pattern adjusting!

The good stuff:

• The belly area doesn't look as tentish as I feared after cutting out the modified pattern (which just means that my belly really is that big now *sigh*) although there's definitely room for my belly to grow so I will be able to wear this top for awhile (I live in the SF Bay Area, so we will be having sleeveless top weather for awhile yet).
• I like where I ended the pleat. It gives definition to the top of the...uh...top and offers something to draw the eye away from the big honkin' belly below. For the real deal, I may embellish the pleat more, maybe with buttons or a little bit of lace or ribbon down the sides of the pleat? I don't know, we'll see what inspiration grabs me.
• By not sewing the pleat all the way down the front, I did get extra room for my belly, so that little bet paid off.
  
• The bust darts are at the right level, pointing straight at the "apex" of my bust (I guess it's not common in sewing to just say "nipple").
  
• For the most part, I like how the shoulders, neckline and underarm fit which tells me that starting with a size 10 in that area was a good idea.

The not-as-good stuff:

• Well, obviously, I need to add some length to the back so it will match the front
• I'm going to add length to the front, too. I like the length exactly how it is without the hem. So, I need to add the amount of the hem (5/8 inch) to the front before adding length to the back.
• There was a tiny amount of gaping under the arm that I pinched out.
• The upper back feels a bit tight just above the waist. Now, this could be due to problems in the bust, but I don't think so for reasons I'll get into later.
• The bust darts seem a little long, ending almost at the apex. I might make them about half and inch shorter.
  

The major issue:

• It is way too tight in the bust.
  

So, the biggest modification I need to make is to add room in the bust. I first tried removing some of the stitching in the pleat so that it was shorter and left more room for my bust. But, I didn't like how that looked (there was a distinct increase in tentness) so I resewed it. So, in order to figure out just how much to add to the bust area, I needed to slash the middle of the top, to see how much it spread apart at the bust. But, of course, I had this pleat there and as soon as I started slashing, the pleat was going to have all of this extra fabric flapping around. So, I sewed down the sides and middle of the pleat in order keep it tacked down during the slashing.

I didn't take a photo of this part because I'm not keen on putting pictures of me in my bra on the internet. So, trust me when I say that I there was a gap of about 2.5 inches in the bust area after slashing. Now, I assume that if I do an FBA to add 1.25 inches (since the pattern piece is half of the front, I need to use half of the total gap distance), I will end up with a fitted bust. However, the pattern is supposed to have about 3 inches of ease (I figured this out by looking at the pattern size chart and comparing the finished measurements of the bust to the sewist's bust measurement). That's 1.5 inches of ease for the front. So, I'm trying to decide if that means I should add 0.75 inches to the side seam at the bust and do an FBA for 1.25 inches or should I do an FBA that adds 2 inches to the bust (1.25 + 0.75) in order to get the proper fit?

The upper back was still a bit tight after slashing the front so I think that I need to add some width there. Again, there should be 1.5 inches of ease across the back and at the moment, it's skin tight. So, I need to add 0.75 inches to the pattern piece (which is 1/2 of the width of the total back). I'm guessing that means that I simply need to go up a size or two in that area to get the back right.

So, more pattern modifications and a new muslin are in the works (also a trip to the fabric store because I am fresh out of muslin). Hopefully this new round of modifications will fix the current problems without creating new ones!